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Paper on mozart

Paper on mozart

paper on mozart

Apr 21,  · Words: Length: 4 Pages Document Type: Term Paper Paper #: Read Full Paper. olfgang Amadeus Mozart does not deserve to be on the list of history's most influential people. Mozart's work clearly shows the influence of his time, including the ideas of the Enlightenment and musical influences of the time Research Paper on Mozart Samples 41 On hearing the word genius, no other name springs to mind quicker than that of Wolfgang Amadeus Mozart. To me, his music reaches a level of perfection unmatched by any other composer Wolfgang Amadeus Mozart () was a world-famous Austrian composer. He was a prominent representative of the Viennese classical school, a musician of universal talent that became apparent in his early childhood. In Mozart’s music the ideas of German Enlightenment are reflected. He managed to embody the artistic experience of various national schools and traditions



Wolfgang Amadeus Mozart Research Papers



Find out if your paper is original. Our plagiarism detection tool will check Wonder how much time you need to deliver your speech or presentation?


Don't know how to format the bibliography page in your paper? Use this converter to calculate how many pages a certain number Create a strong thesis statement with our online tool to clearly express On hearing the word genius, no other name springs to mind quicker than that of Wolfgang Amadeus Mozart.


To me, his music reaches a level paper on mozart perfection unmatched by any other composer. Whereas other great composers excel in a particular aspect of music — Bach with harmonic power and contrapuntal complexity, Handel with melodic virility and textural manipulation, Beethoven with paper on mozart techniques and expression of drama — Mozart reigns supreme in all aspects, paper on mozart.


He had the harmonic complexity, the melodic grace, the clever developmental techniques, and the emotional content. Furthermore, he paper on mozart supreme in virtually every musical style of his day — concerto, symphony, paper on mozart, sonata, opera, choral music, paper on mozart, fugue, canon, et cetera — there was nothing that he could not do. So what is about this little man from Salzburg that is so miraculous?


Upon analysis, the techniques of other great composers — Bach, Handel, and Beethoven — have the ability to greatly impress and inspire me. Mozart however simply bewilders me. With great composers such as Bach, Handel, and Beethoven, one can see how they worked out a paper on mozart of music logically and systematically. For example, the jagged melodies and unusual intervals in a Bach fugue suggest that his melodies are harmonically conceived.


Bach has a harmonic basis in mind, and lays down a melody logically so that it fits the harmony. Conversely, the simple and symmetrical harmonies of Handel suggest that his harmonies are melodically conceived, paper on mozart.


A melody is composed, and harmonies are logically based on the melody. A short theme is introduced, and it forms the basis for development in the remainder of the movement. Of course this is an oversimplification, but the general principle is that the music of the great composers is worked out logically and systematically. I would even go as far to say that with the right amount of time and musical understanding, one can emulate the logical techniques of these great composers.


Their music is attainable. With Mozart however, one encounters a paradox. I have already mentioned that his music excels in all aspects and qualities. I believe however that this does not do him justice. Everything just happens to be in exactly the right place, and in such a delicate balance, needing no more or no less. With Mozart everything just seems to fit.


It is almost as if he transcends musical logic and sees the music at a higher level that other composers. This is not something that one can emulate by following musical logic or by learning techniques.


Yet, it paper on mozart manages to possess an air of unpredictability. This is another paradox of Mozart. It is unpredictable due to its complexity and depth, and familiar due to its subtlety and prefect proportion. For example, in a Bach fugue, the fact that the melodies are paper on mozart placed to fit the harmonies or the fugal form can make them sound forced and at times artificial.


With Beethoven, the extremes in dynamics or orchestration can also often sound forced and artificial. One may say that Bach was willing to sacrifice melodic grace for complex harmony and counterpoint, and Beethoven for dynamic power. Mozart however sacrifices nothing, for the music just comes naturally. For example, in the Art of Fugue, Bach manages to logically work out a theme which achieves harmonic coherence when used in several different contrapuntal forms.


The angularity and the forced nature of the melodies however do suggest that they are logically worked out so that they fit the harmonies in such contrapuntal forms. In effect, the themes play functional rather than independent melodic roles. All this seems so effortless and paper on mozart, that the contrapuntal complexity is lost in us. Unlike Bach, Mozart has not logically forced melodies to fit the harmony or structure, but has simply created several independent melodies that fit together perfectly in what is perhaps the most brilliant show of contrapuntal combination in the history of music.


This is evident in the first movement of his Violin Sonata in Eb Major K. This amazing harmonic freedom within one movement not only excels that of Bach, but the harmonic structure is so perfectly finished that the modulations appear so effortless.


A good example is in the first movement of his Viennese Sonatina no. In bars 5 to 6, a simple melody is exposed, paper on mozart, consisting of the notes C, D, F, and E. This simple melody can be harmonised with the diatonic chords of C and G7, the tonic and dominant seventh of the key respectively. However, the simple addition of a short rising chromatic scale in the left hand harmonises the melody in more distant and chromatic chords, paper on mozart Dm, D, G dim7, and Am, with rapid chord changes.


True art is to conceal art, and Mozart manages this perfectly. Once again, the complexities are so subtle that they are often unnoticed. His music is incredibly economical. He seemed to know exactly what to put in, as well as what to leave out, paper on mozart. Whereas Beethoven creates a dramatic effect with deviations from harmonic law, extreme dynamics, deliberate dissonances, and a large number of voices, Mozart can create an effect as dramatic without going to extremes in dynamics, dissonances, or number of voices.


An example is his Symphony no, paper on mozart. He could write down a piece of music while thinking out another in his head. He would often think out a piece and write down the individual parts before compiling a full score. Already as a very young child he was improvising fugues and composing substantial pieces. However Mendelssohn failed to develop much further, and although his music reveals an excellent sense of proportion, harmony, and passion, he lacks the complexity and subtlety which Mozart has over other composers.


Amazingly prolific, paper on mozart, Mozart composed over six paper on mozart large-scale pieces, as well as many unknown works and fragments, in his tragically short life. Furthermore, he conquered virtually every medium with his music. And all this seemed effortless: in a letter to his wife, paper on mozart, Mozart tells her about how he wrote an aria one afternoon out of sheer boredom! To top it all off, his music shows little correction, and he composes at amazing speed.


Whereas Beethoven would spend months or years on a piece, Mozart would spend hours, days, paper on mozart, or weeks at most. So what can be concluded about Mozart?


From what I have provided, it is difficult not to be amazed by him, paper on mozart. To me, his music represents the attainment of musical perfection.


It transcends the music of other composers. If I were to make a list of great composers, relatively high on the scale would be the epic greats, such as Haydn, Mendelssohn, and Tchaikovsky. Even higher would be the great masters, such as Bach, Handel, and Beethoven.


But way up on a completely different scale of his own would be Mozart, the greatest composer of them all. Writing Guide. Any type Analytical Essay Argumentative Essay Deductive Essay Expository Essay Response Essay Informative Essay Compare and Contrast Essay Composition Essay Evaluation Essay Cause and Effect Essay Definition Essay Research Essay Classification Essay.


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Essay on Mozart | Examples and Samples


paper on mozart

Aug 10,  · Mozart. Wolfgang Amadeus Mozart This paper discusses Mozart's life, his compositions and his importance to the world and the world of music. It explains how Mozart's music is still some of the most popular classical music played today and his life is Oct 09,  · At blogger.com writing service you can order a custom research paper on Wolfgang Amadeus Mozart topics. Your research paper will be written from scratch. We hire top-rated Ph.D. and Master’s writers only to provide students with professional research paper assistance at affordable rates Mozart Essay Words | 7 Pages. Wolfgang Amadeus Mozart This paper discusses Mozart's life, his compositions and his importance to the world and the world of music. It explains how Mozart's music is still some of the most popular classical music played today and his life is still studied because his music is so well known and liked

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